Proxies for Reality: Fact-Based Films and Their Mythmaking Potential


Media Myth Alert

The Sunday “Outlook” section of the Washington Post usually is such a ZeroDarkThirty_posterjumble of thumbsucker essays and middling book reviews that it deserves just passing attention.

What made yesterday’s “Outlook” an exception was an engaging critique of Zero Dark Thirty, the controversial new movie about the CIA’s years-long hunt for terror leader Osama bin-Laden.

The critique, written by former CIA official Jose A. Rodriguez Jr., suggests anew the mythmaking capacity of fact-based films. “Inevitably,” Rodriguez writes of Zero Dark Thirty, “films like this come to be seen by the public as a sort of proxy for reality.”

And that’s especially troubling because, as Rodriguez also points out:

“One of the advantages of inhabiting the world of Hollywood is that you can have things both ways.” Publicity for Zero Dark Thirty emphasizes that it rests upon careful research, Rodriguez notes; at the same time, the film’s screenwriter, Mark…

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